a Documentary Photographer and Visual
Artist for over thirty years, is currently working
with digital generation and manipulation as an art
form under the namesake of New Directions and
Pixelscapes, which begins to approach a true abstract,
visual language in Digital Art.
This Minimalist approach and Its Derivatives ( Scan
Series and Shift Series) have been exhibited in the
U.S.A., England, Russia, the Philippines and Brazil.
He has exhibited his Documentary Portraiture and
Visual Arts throughout the U.S.A. and worldwide (over
thirty exhibitions); and his mixed media and
interactive work, Mother's 45s (a tribute to his
mother and all mothers of the world), was selected
through national competition (U.S.A.) for exhibition
as a part of the Parents show at the Museum of
Contemporary Art, Wright State University, Dayton,
American Photo magazine listed one of his
Photodocumentary projects, Dyer Street Portraiture, in
its Notable Exhibitions section, March, 1986 issue.
And his Photodocumentary project, Descendants/350,
received a Governor's Proclamation, and was accepted
by the Secretary of State as a part of the Rhode
Island State Archives (U.S.A.).
His Photodocumentary project, Southwest of Rusape: The
Mucharambeyi Connection was officially opened by the
U.S. Ambassador to Zimbabwe and accepted as a part of
the United States Information Services (USIS)
Archives, Harare, Zimbabwe, Africa; and his
Photodocumentary project, People To People was
accepted as a part of the Kumho Art Foundation
Archives, Gwangju, South Korea.
Chambers also completed a three-year tour as Art
Conservator and Curator for the National Gallery of
Zimbabwe and as the Initiator/Instructor of The McEwen
Photographic Studio for the National Gallery's Art
School. The Gallery also invited him to exhibit his
Visual Arts project, Variations On
The Dan Mask, which was officially opened by the U.S.
Ambassador to Zimbabwe.